The puppet show is over, and we are coming for you and the rest of your kind. Dolores leads a host revolution against the Delos board. Maeve, meanwhile, searches for what compelled her to return to the park.

Why don't we start at the beginning? Dolores remembers she's been to the outside world, William makes a bold business venture, and Maeve begins her quest for her daughter. Someone's always watching.

There is beauty in who we are. Shouldn't we, too, try to survive? Truth is, we don't all deserve to make it. Dolores makes her next move as Charlotte scrambles to protect Delos' most prized asset. Bernard gets closer to the truth and Maeve continues the search for her daughter.

Is this now? If you're looking forward, you're looking in the wrong direction. The Man in Black offers to lead the way and Delos gets a visitor. Who is James Delos? Or, perhaps more accurately, what is James Delos, the figure at the center of Delos' secret project.

Maeve, Lee, Hector and Armistice have revelations in a new world adjacent to their own - welcome to Shogun World. Dolores makes a decision about Teddy, and Karl Strand discovers something sinister about the hosts' data.

We each deserve to choose our own fate. Maeve continues the search for her daughter, as Dolores calculates her next, ruthless move. Bernard and Elsie break into a new laboratory space and get closer to the truth about Delos.

When you're lost in the dark for long enough, you begin to see - strike the match. Bernard and Ford meet again, and Bernard grapples with the true meaning of the park. The Cradle is under threat and Maeve encounters a scene from her past - but this time, attempts to change the narrative, while the Man in Black discovers just how real the stakes are in Ford's game.

The past is calling, remember what was taken. "Mi cante ki yu ha ya ye." ("Take my heart when you go"). This is the telling of Akecheta's journey to consciousness.

Tell me the truth. Tell me one true thing. Try to kill it all away, but I remember everything. A family tragedy and fragile states of mind come into focus as the Man in Black and Teddy both reach their breaking points.